I always liked Buffy
the Vampire Slayer. I well admit that the last few seasons of the show lost
me in how truly ridiculous some of them were (I mean, that one where there’s a
freeze ray–what the hell is that?). I did however like how the series ended: it
was touching and meaningful and I didn’t think–for a long, long time–that Buffy
should continue after such a great wrap-up. Anyway, after many years of doubt,
I decided to give the comics (which go by seasons) a chance. Surprisingly, they
did not disappoint.
Buffy the
Vampire Slayer Season Eight is a comic book series that serves as a
canonical continuation of the television series and follows the events that
come of the show’s finale. The story arch of the series is as follows.
A year after the end of the television series, Buffy and
Xander now lead command-central of slayers and at their disposal are a wide
array of psychics, seers, witches, and Slayers (around 1800 by Buffy’s count
and 500 working and training with Buffy herself). In the wake of Sunnydale’s
destruction, elements within the United States government view the
expanded Slayers as international terrorists and characterize Buffy as a
"charismatic, uncompromising and completely destructive" leader. Many
villains from Buffy’s past make appearances and they are all connected to a new
foe named Twilight. He’s the enigmatic big bad of season eight and seeks to
destroy all the Slayers and bring about an end to all magic on Earth.
The authors and artists of the Buffy comics are numerous but include Georges Jeanty (who is a
comic book penciller and worked on The
American Way), Brian K. Vaughan (who is a comic writer and worked on Y: The
Last Man, Ex Machina, Pride of Baghdad, and Saga), and, the
creator of Buffy himself, Joss Whedon (who also wrote Dollhouse, Firefly, and The Avengers
movie). Whedon doesn’t write any of the main stories but the writers that stand
in for him do a remarkable job capturing the tone and essence of the Buffy-verse in the characters, themes,
and dialogue.
The art style of Buffy
Season Eight is a mostly realistic style with bland,
mostly empty
landscapes, but exceptional foreground and facial details. It’s shadowy and dark–more
so than the show ever was–but it’s not overbearing or distracting in any way. It
actually suits the comic media better to have it more shadowy. And the comic is
by no means just dark shadows. As I mentioned a few sentences ago, the facial
details go a long way and there’s more than a few times when a face Buffy makes
when caught off guard will bring a smile to your face. Sure it’s cartoony, but
the whole premise kind of is, so why not?
My final thoughts on Buffy
the Vampire Slayer Season Eight are that it’s good. Better than good. I’ll
even go as far as to say that these comics are better than the last season of
the television show! The characters seem truer and more on-point than they were
that last season and even Dawn (my most hated character: probably everyone’s
most hated character!) was put to good use as a giant. Are these comics as good
as seasons one through three of Buffy?
No, because nothing will ever be as good as seasons one through three of Buffy! But the comics do a good job
capturing the characters we all grew to love so much and the sometimes
ridiculous, mostly over-the-top story lines that made Buffy so memorable! If
you were sad to see Buffy the Vampire
Slayer end, then you owe it to yourself to read the comics!
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