A Review By: Amelia
Young adult novels can be a treasure trove of clichés and
exhausted tropes but they can also be a place where authors have free rein to
explore more adult or taboo topics in contexts that show imagination and
diversity. It can create some very interesting books. No One Needs To Know is one of those books and it tackles, perhaps,
one of the biggest taboos a teenager can face: figuring out your sexuality.
The author of No One
Needs To Know is Amanda Grace (the pen name for Mandy Hubbard). She’s the
author of three other young adult novels, and a literary agent at D4EO Literary
who specializes in middle grade/young adult fiction.
I’d like to start this overview by saying that the blurb on
the book of the book and what the book is actually are very different. The back
of the book implies there’s higher stakes than there really are with a cheating
love triangle and the possibility of the twins growing to hate each other over
Zoey but that’s far from what this book is! Let me tell you actually what it
is.
Olivia’s twin brother, Liam, has been her best friend her
whole life, but when their parents begin to spend months away from home and
Liam begins to date, Olivia is left feeling alone. Not to mention adequate as
she struggles to maintain a passable GPA in her girl’s private school and her
coveted spot on the gymnastics team. Things seem to get worse for her as she’s
partnered in class with Zoey, her best friend’s hated rival, and then meets
Liam’s latest fling: also Zoey.
Zoey, a call-it-like-she-sees-it kind of girl, sees right
through Olivia. What starts as verbal sparring between the two changes into
something different, however, as they share their deepest insecurities and
learn they have a lot in common. Olivia falls for Zoey, believing her brother
could never get serious with her. But when Liam confesses that he’s in love
with Zoey and doesn’t want her to be only a passing fling, Olivia is left
feeling torn.
Like I mentioned above, young adult literature can end up
being full of tired tropes and, although No
One Needs To Know is able to do a lot of things really well, Grace’s three
main characters Liam, Olivia, and Zoey, are underdeveloped. You do get some
nice snippets of their personalities throughout the piece but they all fall
under some very tired clichés: Olivia is an uptight, spoiled rich girl, Liam
her chill twin brother that never has to work hard at being perfect, and Zoey,
the rough girl from a troubled family in the bad part of town but goes to the
private school on a scholarship because she’s really smart. Overall, I’d say
Zoey is the most clichéd with her wrong side of tracks upbringing, and the many
rumors surrounding her (she’s a slut for reasons that later turn out to be a
big misunderstanding) and Liam–poor Liam! You hardly get a damn thing about him
other that he’s the favourite twin and a chill dude with girls and beer on his
mind! Surprisingly, Olivia turned out to be my favourite character. Even though
I’m sick to death of the rich girl trope I always get a kick out of seeing them
turn away from what they’ve been taught to just be themselves. Olivia more or
less turns her whole life on its head from dropping out of activities her
parents pressure in, to coming to terms with her sexuality. She had the most
development throughout the story and it really shows compared to the other two
main characters.
The most impressive thing about this novel is the grace in
which the attraction between the girls is handled. It’s a taboo topic that many
people struggle with, and Zoey and Olivia are no different in that regard.
However, where some writers might have trouble convaying the complexities of
non-hetro, teenage sexuality, Grace approaches it in a subtle and very organic
way without a ridiculous amount of crazy or hurtful drama.
My final thoughts on No
One Needs To Know are that it’s a great read. It’s compelling enough to
read all in one seating with beautifully complex characters and a really
touching, realistic love story that develops between the main characters. It’s
young adult fiction at its best and should not be overlooked just because it
was written for a younger audience!
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